2018.June13, Wednesday
(c) @26.0613-1450.00 by AtaraxiA under Creative Commons CC BY-SA 4.0 license
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**SUMMARY:** *In this second part, Thalia explores the daily practice of Latexistentialism, revealing how her ritual of wearing latex every day became a discipline of presence and self-awareness. She describes the challenges of maintaining this practice, Hevea’s role as her guide, and how the philosophy extends beyond the catsuit into every aspect of her life. Thalia also introduces the concept of the “Ordeals” as tests of commitment to her path, drawing parallels to her childhood ballet lessons and the Japanese practice of Shinrin Yoku.*
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SUMMARY: Thalia, an elderly woman with a lifelong rubber fetish, writes to her friend Marla about the evolution of her relationship with latex. After menopause, her sexual passion faded, but her love for latex persisted, transforming into a spiritual practice she calls Latexistentialism. She introduces Hevea, her deliberately created tulpa, who shares her memories and perceptions. Thalia reflects on how wearing her latex catsuit now brings her joy, connection, and a sense of presence. The chalkboard diagram in the image—three concentric circles labeled “Self,” “Enclosure,” and “World”—visually represents Latexistentialism as a threshold between the self and the world, where the latex acts as a sacred boundary, a temenum.
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